The Sickening Thud at the End of it All
by Jonathan C. Parrish
In the beginning. That seems like a pretty good start, if you're a bible. This
is not a bible. I don't know what this is yet, it isn't finished.
So how will it begin? Let's start in an alley, the tarmac still wet from the
rain. Occasional drips from the fire escape above disturbing the surface of the
puddles, or splashes from cars as they glance past the entrance on their route
down the streets. Despite the rain, the alley is hot and humid and stinks of
garbage.
This beginning sucks. What's next? Mike Hammer talking about how the rats have
more integrity than the people who live around them?
So let's start in a bar! A smoky, dingy bar with grime on the windows and the
smell of stale beer, peanuts and urine. Fresh urine maybe, that's a nice contrast
to the stale beer. And the stale freaking description of the bar. Somehow I have
to get away from the oh-so-subtle pulp fiction film noir vocabulary that shrouds
this text in wisps of fog, deceit and ambiguity.
Chapter 1
That's pretty good, isn't it? Looks like we're getting somewhere
now. Ok, now it's for real.
The morning was peaceful. The kind of peace you only find deep
in the woods, when you dive into a pool or when you lay awake
at night in the dark in a tent. It's not that it's quiet, it's
that all of the noises have their place, their own quality, and
they all belong.
That's how it was on this day, in a forest at the base of a cliff.
And that's probably why the scream as a body came hurtling down
through the air, like a human-cannonball gone terribly, terribly
awry, stood out so spectacularly.
The long sentence with one sound was punctuated with an exclamation
point of breaking branches and a sickly thud.
There followed a certain amount of gentle denouement, the rustle
of bushes as scavengers came for a buffet, the flies for fresh
blood.
Not one of them thought, "That's better than the stupid
alleyway." although maybe they should have, but they were
pretty happy about the meat.
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